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Mozart's marvelous women
Here's the playlist for our end of year concert - with gems from the operas we've explored over the last half year. Abduction from the Seraglio " Martern aller arten ," – 'tortures of all kinds'. It’s acknowledged widely as one of the most challenging arias in the coloratura repertoire. It's long and it's elaborate, with relentless fiery coloratura meant to convey Konstanze's determination to defy the will of her captor, the Pasha Selim, and to plead for her release. Edita G
Lyn Richards
Dec 43 min read


Mozart magical
Die Zauberflöte premiered, in a popular theatre, 30 September 1791, two months before Mozart's death. Since then, it has defied simple summary, challenged directors to ever more exotic productions and casts of dancing animals, and delighted audiences with the magical story, the vivid imagery of the libretto and the extremes of the stunning music. Tamino with that Flute in David McVicar's production, Royal Opera House. And it has continued to puzzle interpreters and leav
Lyn Richards
Nov 125 min read


Schooling lovers
Così fan tutte (1790) was the third and last of Mozart’s radical operas with librettist Lorenzo da Ponte. All shocking in their rejection of formality and exploration of humanity. All very different musically from operas of the past. What a plot! Lorenzo da Ponte’s libretto reflects on the nature of love, showing a number of stereotypes regarding femininity and masculinity. The main plot focuses on the efforts of Don Alfonso to persuade his younger companions, Ferrando and
Lyn Richards
Oct 295 min read


Laughing at Death - Don Giovanni
What's next after Marriage of Figaro for Mozart and Da Ponte? Don Giovanni is a total contrast - a dark comedy with an evil antihero, dragged from an old Spanish legend into Enlightenment morality. Ah, but a sort of happy ending. Don Juan and all those women The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra ( The Trickster of Seville and the Stone Guest ) by Tirso de Molina . The play includes most of the
Lyn Richards
Oct 154 min read


Love, Mozart and humanity
Best opera of all time? The Marriage of Figaro was hugely popular when it premiered (1786) and ever since. But it nearly didn't happen. ...
Lyn Richards
Sep 37 min read


Abduction!
Would Mozart have approved? His music is untouched (and splendidly sung) in Victorian Opera's production of an entirely new opera - new...
Lyn Richards
Aug 264 min read


Mozart goes comedy
The Abduction from the Seraglio , a year after Idomeneo , took Mozart into the "far east", and far from opera seria . It's a " singspiel...
Lyn Richards
Aug 205 min read


Idomeneo, Mozart seria
Idomeneo is poised at the pass between Baroque and Classical opera. Commissioned for an opera seria , Mozart turned to Greek mythology...
Lyn Richards
Aug 75 min read


Mozart can do no wrong
"Music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always...
Lyn Richards
Aug 65 min read


By Jove, Handel!
Opera has several foolish women demanding to know who their lover is, but Semele's punishment was particularly harsh. She was the only...
Lyn Richards
Jun 237 min read


Scorned sorceress
Alcina (1735) was composed for Handel's new company, the Theatre Royal, Covent Garden. It ran for 18 performances, the last, and...
Lyn Richards
Jun 116 min read


and then there was Saul
With Saul , after 40-odd operas, Handel shifted across to oratorio. There are lots of official explanations: English audiences had...
Lyn Richards
May 285 min read


Cleopatra, the opera!
Handel's 'Julius Caesar in Egypt' is a fairly faithful account of Caesar's Egypt adventures, according to historians. His librettists...
Lyn Richards
May 136 min read


Hallelujah, it's Handel!
As the Baroque era shifted in Europe, the excitement moved back to Britain. Purcell (1659-1695) had provided the early Baroque music and...
Lyn Richards
May 65 min read


Rameau's last laugh
The operas of the "greatest French composer of the century" were mainly about gods, with the exception of Platée , which is about...
Lyn Richards
Apr 25 min read


Lully: the Sun King’s musician
Born in Florence, 1632, with musical and dancing skills, Lully made his way from Italian city life to become first, 'chamber boy' to a...
Lyn Richards
Mar 253 min read


Dido in England
Purcell's Dido and Aeneas is widely seen as the dawn of English Baroque - and the best of British opera - at least before Britten. It...
Lyn Richards
Mar 196 min read


If Love's a Sweet Passion...
Enter Henry Purcell, the leading - indeed pretty much only - creator of Baroque opera (and then only one) in Britain. Titania, Bottom...
Lyn Richards
Mar 103 min read


Opera goes public
What could go wrong for Cavalli? His singing voice was beautiful, his father was the maestro di cappella of the duomo of Crema,...
Lyn Richards
Feb 256 min read


A new Nero?
Emperor Nero has been likened to many leaders in our times, most recently of course, to Trump. The comparison is not pretty, and it...
Lyn Richards
Feb 192 min read
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